Scientific section. Literary criticism

Adelaida Ivanovna Krugel

The article is devoted to German motives in The Gamblers by N. V. Gogol and their connection with the ways of portraying a fraudulent environment. The author specifically focuses on one of the characters – the sharpie Krugel and the card pack called Adelaida Ivanovna. Moreover, these observations allow to draw conclusions on the ‘background thoughts’ of the author about human nature, hidden in comic dialogues of The Gamblers.

The Russian Comic Opera of the XVIIIth Century in Its Links with Literature and Theatre (on the Example of the Opera Oeuvre of V. A. Pashkevich)

The article studies the formation and development of the Russian musical theatre of the XVIIIth century. It focuses on the opera oeuvre of V. A. Pashkevich; close links between the Russian literature and music are traced in it; the major typological features of the Russian comic opera are singled out.

The Image of a Disgraced Princess in Memoires by Mlle de Montpensier

The article considers the protagonist image in Memoires by Mlle de Montpensier, related to the description of her life in exile after the Fronde events. The author analyzes how the royal disfavor impacts the changes in the views and inner world of the heroine. Comparing the text extracts written in exile with those written after it was over allows to show how the introspection deepens, and to draw the conclusion on the meaning of the memoire genre in the fate of the disgraced princess.

Yu. N. Chumakov, A. P. Skaftymov and the Saratov Philological ‘Nest’

The article discusses the important episodes of the history of Saratov philological school associated with the names of Yu. N. Chumakov, A. P. Skaftymov, E. I. Pokusaev.

L. Dobychin’s ‘Acquisition of Prospects’ and Yu. Tynyanov’s ‘System Change’ as the Elements of Post-modernism Aesthetics

The article considers the peculiarity of L. Dobychin’s narrative strategy on the example of the novel The Town of N; the author points out the significance of Yu. Tynyanov’s theoretic and methodological ideas for the modern research of post-modernist aesthetics.

Literary Play as the Key Note of I. Ilf and E. Petrov’s Style (the Play A Strong Feeling)

The article studies one of the leading stylistic key notes of I. Ilf and E. Petrov’s oeuvre – playing with ‘other’ texts. In the course of analyzing the vaudeville A Strong Feeling a system of allusions to A. P. Chekhov’s play The Wedding is identified (the plot, genre, system of characters, etc.). The study of the ‘quote element’ in the play A Strong Feeling helps to draw the conclusion on the stylistic unity of the co-authors’ creative manner.

Uncollected Cycle by O. Mandelstam to the Memory of Andrey Bely (Problems of Composition and Genre)

The article focuses on the group of Mandelstam’s poems dedicated to Andrey Bely and shows that this group constitutes an uncollected cycle associated with the archaic attributes of the requiem genre. The analysis of the cycle composition leads to the assumption that variability becomes one of the cyclization factors here.

Lu Xun in Russia

The article examines historically determined approaches to the study of the oeuvre of the Chinese writer Lu Xun in the Soviet literary criticism in the 20–70s of the ХХth century, identifies the causes of interest in his heritage, analyzes the main achievements of the Russian Lu Xun studies, and provides a comparison with similar works by Chinese scientists.

Nostalgia Theme and Reflection on the Role of the ‘Little Man’ in the Bolshevist Russia in the Stories of Z. Gippius in the Émigré Period

The article represents an attempt of a literary, critical, and philosophical evaluation of the characteristic features of the short fiction written by Z. Gippius in emigration. Special attention is given to the theme of nostalgia and to the role of the ‘little man’ in the Bolshevist Russia.

Lidia Charskaya as a Writer for Adults

For the first time the article addresses little-known works of the popular children’s writer of the early ХХ century Lidia Charskaya, that are intended for the audience of adults. It is indicated that the writer used the same methods in her compositions regardless of the readers’ age. Nevertheless, she turned out to be a mediocre author for mature readers.

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