постмодернизм

A. Slapovsky’s prose cannot fit the clearly defined frame the critics and literary scholars try to set. The article considers their attempts to characterize the writer’s oeuvre, special emphasis is placed on the arguments about the author belonging to the postmodern or neorealist movements.

The article is devoted to the analysis of the structural features of the poetic text of one of the most specific literary trends - melodrama. The aesthetics of the melodrama industry changes the ideas about the form and content of the poetic work.

The article deals with the specific character of the genre of the English writer's autobiography of the turn of the 20th-21st century. by the example of Julian Barnes's autobiography "Nothing to be Afraid".

The dilogy The Rotters’ Club (2001), The Closed Circle (2004), by a British novelist Jonathan Coe is represented as an integral and coherent narration within the tradition of the British state-of-thenation novel. The article analyzes the role of realistic and postmodern practices in highlighting the social and political problems in the dilogy.

The article analyzes the motive of fear in Aleksey Slapovsky’s novel Encoded. This motive permeates the whole novel and essentially becomes the key one for the plot development. The struggle with the subconscious fears of the character and of the author is considered. This struggle results in a multiple re-writing of the selfsame story.

The article discusses a particular type of fragments in the montage composition of Sasha Sokolov’s novel A School for Fools in terms of its structural and semantic specificity, substantiates the principles of the possibility of highlighting it in the text and also reveals a special nature of the montage junction in the novel.